Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael Michael oil painting


Michael
c. 1504-1505 Type Oil on wood Dimensions 30 cm x 26 cm (12 in x 10 in) cyf
Painting ID::  94693
Raphael
Michael
c. 1504-1505 Type Oil on wood Dimensions 30 cm x 26 cm (12 in x 10 in) cyf
   
   
     

Raphael Madonna del Prato oil painting


Madonna del Prato
1505 Type oil on board Dimensions 113 cm x 88 cm (44 in x 35 in) cyf
Painting ID::  94695
Raphael
Madonna del Prato
1505 Type oil on board Dimensions 113 cm x 88 cm (44 in x 35 in) cyf
   
   
     

Raphael Saint George and the Dragon oil painting


Saint George and the Dragon
1504-1506 Type Oil on wood Dimensions 28.5 cm x 21.5 cm (11.2 in x 8.5 in) cyf
Painting ID::  94696
Raphael
Saint George and the Dragon
1504-1506 Type Oil on wood Dimensions 28.5 cm x 21.5 cm (11.2 in x 8.5 in) cyf
   
   
     

Raphael Young Woman with Unicorn oil painting


Young Woman with Unicorn
1506 Type Oil on panel Dimensions 65 cm x 61 cm (26 in x 24 in) cyf
Painting ID::  94697
Raphael
Young Woman with Unicorn
1506 Type Oil on panel Dimensions 65 cm x 61 cm (26 in x 24 in) cyf
   
   
     

Raphael Ansidei Madonna oil painting


Ansidei Madonna
1505-1507 Type Oil on wood (poplar) Dimensions 216.8 cm x 147.6 cm (85.4 in x 58.1 in) cyf
Painting ID::  94698
Raphael
Ansidei Madonna
1505-1507 Type Oil on wood (poplar) Dimensions 216.8 cm x 147.6 cm (85.4 in x 58.1 in) cyf
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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